Covskin

Even more than that: Original Vote was to rule out "no deal" specifically on 29th March. May said she'd vote to rule out no deal, but offered MPs a free vote. Amendment is added to rule out "no deal" ever. May scrambles, now plans to vote against the idea of ruling out no deal despite putting forward the original vote, and tries to enforce the 3-line whip to make the rest of the Party fall in line. Not only does she lose, even Cabinet members abstain rather than support! Then May's best plan is to offer a 3rd vote on her crappy deal that's already been rejected twice, and even hinted that if she loses again she'll just putit up for a fourth andmaybe even fifth time! It's farcical.

Showed the full render to my dad earlier. He knew it was Sonic, but also, in his words knew that "he didn't look right". He had no qualms when I showed him Detective Pikachu afterwards though. Not that he was ever the target audience or ever likely to see the films, but its just another example of someone recognising uncanny valley. This latest shot is just the strangest yet. I think they're going for a wind-rush kind of shot, showing the speed against his face, causing the mouth to be open like that...but hell does that mouth look goofy. Then the eyes...at first I thought the irises were too big, but the more I look at them, the more Sonic appears cross-eyed. I also can't tell if his hands have been obscured by his wrists as he runs, or if they're suddenly blue fists. Finally, is it just me or is there no depth to his legs? Like, it appears he's stood still bending forward, not running. Or is he in the process of launching himself for a jump, based on the red blur for his shoes? I'm no art analyst and not great at putting my thoughts into words on subjects like this, the whole thing is just "off" to me on so many levels. One last thing actually - I know the whole "no such thing as bad publicity" argument, but considering Sonic's general reputation on the internet, all it seems to me is we're going more into meme territory than people becoming legitimately interested in seeing the movie. I don't think that will necessarily translate to a big box office. Maybe a respectable opening weekend, and a sharp decline. Still, who knows, script could be great with an interesting trailer...I just don't see reason for optimism.

...why? I must be missing something, is it somehow cheaper to have the dodgy PAL versions? I don't think there were any extras on those PS1 games, to my knowledge that was more a PS2 era thing (like a new Sphere Grid in FFX and European Extreme difficulty in MGS2).

There is a RE2make in development.

The full list is a strange mix of actual classics, early games that pioneered before being quickly super-ceded by better games, those with small cult followings and mind-boggling "who asked for THAT?" cheapness. I understand why games that used a lot of licenses aren't available. I understand why Crash and Spyro were left out (I guess Resident Evil HD and New N Tasty were deemed old enough not to be a sales concern). But there's so many odd decisions here. I had to Google Intelligent Qube. Turns out it was called Kurushi in Europe...which I've only heard of recently due to a random Youtube video. Add in Mr Driller and Super Puzzle Fighter, did we really need 3 puzzle games? Battle Arena Toshinden, who's going to play that for more than ten minutes when they have Tekken 3 right there? Jumping Flash instead of almost any other 3D platformer that followed it? Surely Twisted Metal and Destruction Derby are similar enough to cover the same niche? Couldn't Wipeout have made an appearance? If you're having M Rated games like GTA, why leave out some of the other big names like Silent Hill (Konami already agreed to MGS, can't have been much more to ask)? Rainbow Six, when was the last time anyone talked about the original game? I've heard people reminisce for the first Medal of Honour more recently than that. Its a really strange hodge-podge that feels like a quick cash grab. You might as well get the best ones from PSN, at least then you'll have analogue controls. EDIT - apparently the Japanese version is a little different, and includes the following: Arc the Lad Arc the Lad 2 Armored Core Biohazard Director’s Cut (Resident Evil Director’s Cut) Final Fantasy VII International G Darius Gradius Gaiden Intelligent Qube Jumping Flash Megami Ibunroku Persona: Be Your True Mind (Revelations: Persona) Metal Gear Solid Mr. Driller Parasite Eve Ridge Racer Type 4 SaGa Frontier Super Puzzle Fighter IIX Tekken 3 Toshinden (Battle Arena Toshinden) Wild Arms XI [sái] (Devil Dice)

Eh, my main memories of Tales aren't as rosy. The repetition of the map puzzle in Episode 1 frustrated me, and the Mer-people of Episode 2 came out of nowhere. I think it was Episode 2, the part where Guybrush teaches LeChuck how to puzzle solve was hilarious to be fair. My memories of Episode 3 were it being the pits, haha. Didn't like the restricted location or the face-pulling minigame/puzzle and Murray could only do so much to carry it. My main reason for still preferring the originals is scale, something that the episodic format of Tales could naturally never match. The quest for the 4 map pieces in MI2 is the pinnacle of open-ended design for me, allowing the player to go through 4 different puzzle lines in any order, mixing and matching whenever you want or need. The Three Trials and Plunder Island are similarly large and varied. Its just something a smaller 3/4 hour episodic game could never hope to match. Its not a deal-breaker, it just comes with the territory. I used to hope after The Walking Dead Season 1, Telltale would have become large enough to not rely on the episodic format anymore, allowing for bigger adventures. Sadly, it was not meant to be.

Aw man. I remember vividly when Telltale first came to the point-and-click scene. I was part of a Monkey Island forum at the time, and after Lucasarts cancelled Sam & Max: Freelance Police, the community was desperately looking for ANYTHING. Telltale got our attention by teasing a licensed game, and all they showed was a close-up of something white. Everyone was convinced it was Max! Eventually, it was revealed to be...Bone. Was a bit of a dick move, really. It wasn't too long after that we got what we had hoped for, new Sam and Max. It was decent, and Season 2 was a definite improvement. I was happy. Telltale was growing. One of my favourite genres was being revitalised. Even then, Telltale had oddball decisions. I love Homestar Runner as much as next guy, but doing a 5-part series on a web cartoon is really a strange business decision. Wallace & Gromit was also an unusual choice, and Back to the Future was a surprise (I don't think it was even for a major anniversary, may be wrong though). It was around this point I first thought Telltale might be spreading themselves too thin. Then the crazy people actually did it. They made a new Monkey Island. It was decent. I haven't played it since it first released almost 10 years, I probably should try it again. Aside from a third series of Sam and Max (probably their most ambitious in mechanics), this is where they moved to interactive storytelling. The Walking Dead Series 1 is a really big deal. I don't fully blame them for changing their focus after its success, and all the media attention Telltale received from it. The Wolf Among Us is also pretty damn good. Series 2 of the Walking Dead disappointed me, and to be honest I haven't bought any of their games since then. I'm stunned at this news though, because of the sheer amount of licenses they were playing with, I reckoned they must be swimming in cash. But as Ryan said above, it was way too much. They had far too many ongoing projects, people splitting time across various franchises leaving no consistency within them. That said, I was quite anticipating The Wolf Among Us 2. If I'd known TWD3 was such an improvement over Series 2, I might have given that a go by now as well. Weren't they actually working on a new engine, or at least a proper update? Figures that as soon as they try to address one of their most common criticisms, they run out of money. Its strange seeing a company rise and fall in about 15 years (or less), and I have sympathy for the staff. Now, with a heavy heart, I'm off to download the games I bought direct from their website, PRE-STEAM before they disappear.

I still haven't got round to playing Mania yet (been waiting for a price drop), but upon seeing this I'm jumping in on Day 1 of Plus. Never did I think we'd see Mighty and Ray come back, hell I thought their cameo poster in Generations was more than could be expected of Sega's acknowledgement they existed. I'm stunned the guys have got the go-ahead to revive them. They're essentially a blank slate for new twists on gameplay, and I trust these guys to come up with something interesting. Art book should be snazzy too.

The original EU Boxart for Broken Sword looks like this: The original US Boxart for the same game (with a worse name) looks like this:

It wouldn't be the first time, remember when Play Magazine gave Sonic 06 a 9 out of 10? Still, I think its more likely just Famitsu being generous, as they tend to be. (Just for reference though, 32 out of 40 is the same as everyone giving Sonic Mania 8 out of 10, hardly hating the game).

Seems to be less about difficulty, more about how time consuming it is. 5 Red Rings, 1 Number Ring and 1 Moon Medal for each level. 30 Levels, plus bonus levels...people probably haven't had the physical time to manage it yet.

Well, if you like playing the game, then there's a huge amount to do post-game. Based off Spaceport though, its very repetitive. I assume the later levels will make finding the number rings and moon medals harder to find. Still, that's each level needing beating a MINIMUM of three times, and that's assuming you get all 5 Red Rings on your first attempt, as well as getting an S-Rank on one of those attempts!

Indeed.